With the release of the soul and the freedom of the spirit, Aswapati is now set on the Yoga of the Universe, Vishwa Yoga. If this is to be taken as an autobiographical description, Sri Aurobindo represented by Aswapati, then we could understand how rapidly, on the wings of an eagle, his yoga-tapasya was moving. At the beginning of the 1900s when Sri Aurobindo was in Baroda he wanted to acquire power to win freedom for his country. He started with long hours of Pranayama. Soon, in 1908, he had two major spiritual experiences, of the silent Brahman and the all-pervasive dynamic Brahman, things which take lives to have them. Similarly, by 1911 the Mother also had the knowledge of the Supermind and the necessity of it operating in the evolutionary process. This was the Yoga of Ascent and it was done, so to say, in no time. The entire effort of their life now lay in doing the Yoga of Descent. We may say that it is the Yoga of Ascent which is presented in the Book of the Traveller of the Worlds. The Yoga of Descent is what we have in the Book of the Divine Mother, it marking its beginning. While the Yoga of Ascent is echoed in the Vedic phrase “the ascending slope of heaven, ārodhanam divah” to reach the place where the riches are, Aswapati’s Ascent is of quite a different kind, and of it he has the intuition right from the beginning. The Yoga of Ascent is a preparation for the Yoga of Descent.

 

The Yogi-Poet presents the supreme Incarnate’s Yoga of the Universe, Vishwa Yoga, as the Book of the Traveller of the Worlds. In it is the exploration of the world above greater world rising in the cosmic dimensions, typal worlds of fixed forms and given powers and functions. It is like a world-pile founded on Matter and reaching the summits of spiritual glory and greatness. There are also, plunging deep down below, the worlds of darkness, of evil and crookedness and falsehood, founded on Ignorance and Inconscience, exercising benign or else adverse influence over the powers of the spirit that enter into the scheme of evolutionary things.

 

He saw a lone immense high-curved world-pile

Erect like a mountain chariot of the Gods

Motionless under an inscrutable sky.

 

As if from Matter's plinth and viewless base

To a top as viewless, a carved sea of worlds

Climbing with foam-maned waves to the Supreme

Ascended towards breadths immeasurable;

It hoped to soar into the Ineffable's reign:

A hundred levels raised it to the Unknown.

 

So it towered up to heights intangible

And disappeared in the hushed conscious Vast

As climbs a storeyed temple-tower to heaven

Built by the aspiring soul of man to live

Near to his dream of the Invisible.

 

Infinity calls to it as it dreams and climbs;

Its spire touches the apex of the world;

Mounting into great voiceless stillnesses

It marries the earth to screened eternities.

 

Amid the many systems of the One

Made by an interpreting creative joy

Alone it points us to our journey back

Out of our long self-loss in Nature's deeps;

Planted on earth it holds in it all realms:

It is a brief compendium of the Vast.

 

This was the single stair to being's goal.

 

A summary of the stages of the spirit,

Its copy of the cosmic hierarchies

Refashioned in our secret air of self

A subtle pattern of the universe.

 

It is within, below, without, above.

 

Acting upon this visible Nature's scheme

It wakens our earth-matter's heavy doze

To think and feel and to react to joy;

It models in us our diviner parts,

Lifts mortal mind into a greater air, 

Makes yearn this life of flesh to intangible aims,

Links the body's death with immortality's call:

Out of the swoon of the Inconscience

It labours towards a superconscient Light.

 

If earth were all and this were not in her,

Thought could not be nor life-delight's response:

Only material forms could then be her guests

Driven by an inanimate world-force.

 

Earth by this golden superfluity

Bore thinking man and more than man shall bear;

This higher scheme of being is our cause

And holds the key to our ascending fate;

It calls out of our dense mortality

The conscious spirit nursed in Matter's house.

 

The living symbol of these conscious planes,

Its influences and godheads of the unseen,

Its unthought logic of Reality's acts

Arisen from the unspoken truth in things,

Have fixed our inner life's slow-scaled degrees.

 

Its steps are paces of the soul's return

From the deep adventure of material birth,

A ladder of delivering ascent

And rungs that Nature climbs to deity.

 

Once in the vigil of a deathless gaze

These grades had marked her giant downward plunge,

The wide and prone leap of a godhead's fall.

 

Our life is a holocaust of the Supreme.

 

The great World-Mother by her sacrifice

Has made her soul the body of our state;

Accepting sorrow and unconsciousness

Divinity's lapse from its own splendours wove

The many-patterned ground of all we are.

 

An idol of self is our mortality.

Our earth is a fragment and a residue;

Her power is packed with the stuff of greater worlds

And steeped in their colour-lustres dimmed by her drowse; 

An atavism of higher births is hers,

Her sleep is stirred by their buried memories

Recalling the lost spheres from which they fell.

 

(Savitri, pp. 98-100)

 

Aswapati sets himself to explore these countless worlds, the purpose of their existence, their powers and possibilities, as well as their shortcomings and even failures. If nothing in this creation is superfluous, then the question to be understood is their need, their functional role not only in its space-time measurements but also in its prospects of the timeless-spaceless entering into it. There is the aspect of their own further enrichment in the possibilities of the expressive spirit.

 

If we see from a certain point of view the Book of the Traveller of the Worlds might look to be a mighty travelogue, the traveller recording his detailed observations, swift but a meticulous record. Marco Polo who embarked on an epic journey to Asia and far to the east to Kubla Khan’s palace and who wrote for him his travel account, here he is the spiritual explorer writing more for himself than for any Khan. The Record is to consolidate his own yogic attainments by fixing them up in writing in an occult way.

 

Yet there is something more than that. It is no doubt the stepping in of the supreme Yogi as an Avatar, moving through these countless worlds. Not that the transcendental supreme need to go to these places to discover what they are. But when he comes here as an Avatar and travels through these realms of various hues and sounds and perfumes he leaves there behind him his luminous presence which is also the power. That is the occult-spiritual purpose of the Avatar’s passage through these worlds which can influence the earth-events. It is as though because of an occult imperative that the Yogi undertakes this journey not in the manner of an expedition or a quest, but to prepare the cosmic field for a definite spiritual action. His presence left behind in these worlds is the foundation for the divine Shakti’s action in the terrestrial process. He establishes his presence that her work be done. Aswapati does it and it becomes the support, ādhāra, for the resplendent dynamism of Savitri.